Archive for the ‘boomkat’ Category

Boomkat – Don’t Be So Shy

October 6, 2009

Los Angeles pop duo, BOOMKAT, is the lush, velvet mixture of pop pastiche that draws from a diverse palette of influences. Presenting a wide array of urban beats and melodies, along with the expression of personal loss and fragile hope, BOOMKAT passionately displays their versatility in their new album, A Million Trillion Stars (Little Vanilla Records).

At the nucleus of BOOMKAT are brother and sister Kellin and Taryn Manning. Their sound surges with tangible color, in hues that drip with sexuality, anger, confusion and fear. All assembled with a devil-may-care, “art of the mistake” philosophy to transcend its own self-consciousness.

A sexy canvas ready to be explored, Million Trillion Stars is a modern pop record that has everything: style and substance, fun and emotion, dance and ballad, organic instrumentation and metronomic electronic. With production backing from Mike Elizondo (Pink, Maroon 5, 50 Cent, Rilo Kiley), The Pharmacy (Crazy Town), and Martin Pradler (Mean Girls Soundtrack, 8 Mile Soundtrack) and Taryn’s creative executive direction, their sophomore effort exhibits the Mannings’ growth as musicians and artists with a cinematic flare for producing contagious soundscapes. Featuring hints of hip-pop, trip hop, dirty pop, soul, R&B and a DIY indie rock, BOOMKAT is hitting their stride with an eclectic mix and styles that creates their unique style.

From the success and momentum of their first single, the “Run Boy,” BOOMKAT’s second single “Stomp” is ready to turn up the heat by unleashing their catchy summer love anthem. “Stomp”, a vintage synth pop melody accompanied by soulful vocals, proves BOOMKAT’s first single wasn’t a stroke of luck. From the climatic toe-tapping introduction to the shrilling electric guitar break down, “Stomp” takes it’s listener on a bombastic musical journey infused with sexual frustration, much like summer vacation itself.

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Boomkat – A Million Trillion Stars

October 5, 2009
boomkat a million trillion stars

Written By: Heather Wysocki


Label: Self-Released – Rating:

Betty Boop, Billie Holiday, and Beyonce walk into a bar…

Sounds like the beginning of some off-color construction worker’s joke, or perhaps like the weirdest feminist convention ever held. But the combination of Boop’s sexy come-ons, Holiday’s smoky-voiced grief, and Sasha Fierce’s don’t-rely-on-a-man independence is exactly what Taryn Manning, the voice behind Boomkat, personifies on “A Million Trillion Stars.”

A combination of brilliantly mixed music and Manning’s Britney-with-a-cold, raspy vocals, “A Million Trillion Stars” is the chronicle of a woman scorned but ready to party, grief and gloom and gin-fueled partying all rolled into one.

Taryn Manning, the girl best known for driving around in a convertible with Britney Spears in “Crossroads,” pimping it up with Terrence Howard in “Hustle N’ Flow” and pissing off Eminem in “8 Mile,” has created the sort of album that actress-musicians can usually only dream of: a good one. Her two-shots-of-whiskey-and-a-cigarette voice is the perfect match to her brother Kellin’s expert beats, the sort of pop-rock double threat that knocks one-note musicians like Lady Gaga down to the bottom of the Billboard charts.

Kicking off with the ‘70s porn-funk beats of “Dregged in Grief” and continuing with violin-fueled “Fall On Me,” Kellin Manning shows no fear in mixing his Pro Tools expertise with influential beats of the past, tearing through synth-heavy pop and djembe-based rockers with equal aplomb.

Just as clear is his sister’s hardened heart, which infuses each and every song – even the ones that would be more at home on the dance floor than in a darkened bedroom – with post-, or maybe during-, breakup heartache, a potent mix of hating a guy and hating that he left her first.
Alternately, Taryn’s wishing she could see into her dude’s head and wishing there was a blunt object around to crush it in response to his cheating ways.
Get this girl a Red Bull and vodka, stat!

Primitive beats and heavy sampling show up in standouts “Not My Fault” and “Elated.” The problem comes, though, when Ms. Manning can’t decide whether to continue along her bluesy Boop-meets-Billie path or to wander off onto the jangling pop road of Mrs. Jay Z as in “Don’t Be So Shy” and unfortunate first single “Run Boy (Here I Come),” a white-girl rap-pop horror where she’s barely saved from embarrassment by Kellin’s perfect backing.

Musically, the mix of baby-making music and baby-I’m-so-lonely lyrics is disconcerting, but Kellin’s so expert at matching his sister’s vocals that it’s mostly easy to ignore.

What’s entirely impossible to overlook is the total lack of original lyrics, as made evident by liberal use of Songwrriting for Dummies-esque lines like “I’m on fire with desire” and “I cry myself to sleep.” It’s unfortunate, because Taryn’s voice could get away with stronger, sadder words, and make ‘em all believable.

Consistently choosing mope-by-the-window feeling songs over weak dance-away-the-pain ones would’ve solidified Taryn’s place as an actress who could actually make music, and Kellin’s fabulous beats don’t need justification.

For now, though, Boomkat will have to be content with creating the halfway-to-perfect “A Million Trillion Stars,” an album chock-full of all the feelings that every jilted girlfriend has felt put to gorgeously expressed music.

Hopefully, though, the girls who identify with this express their feelings less cheesily.